Until recently, the longest journey I’d ever had to make was 36 hours. That was how long it took to get to Brooks Falls in Alaska to see the bears catching salmon. My trip to Namibia ended up taking seven months!
Read MoreCapture the Moment!
Here are all my posts on photography, covering techniques, trips, research, exhibitions, talks and workshops. Watch out for my latest article every Saturday.
I’ve also written dozens of articles for Expert Photography and Camera Reviews.
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Fun facts on safari
Here’s what I learned about the bush from my guides over the last four months…
Read MoreFacts and figures from my Africa trip
My trip to Africa came about when I happened to read an online article about a guy who’d managed to wangle himself 365 nights of accommodation in exchange for taking pictures. I thought to myself, “I could do that!”, so I Googled ‘safari lodges in Kenya and Tanzania’, sent off 50 emails and waited to see what happened. After only a couple of weeks, I had 17 invitations!
Read MoreCottar's 1920s Safari Camp
Cold, grey and wet. The weather at Cottar’s when I arrived on 28 May wasn’t great, and it didn’t get much better until a few days before I left on 30 June.
Read MoreWildlife sightings
The only question that really matters when you’re on safari is “Will we see X?” Now, ‘X’ may be a lion, a cheetah, a kill or a wildebeest crossing, but the frustrating bit is that you never get a straight answer.
Read MoreGrumeti Serengeti Tented Camp
Don't poke the bear!
Twenty years ago, I was staying with my best friend Mark in Golders Green and found myself chatting with his mother. She was in her seventies, but I politely asked if she'd been anywhere nice recently.
"Yes," she said, "I've just come back from watching the bears catching salmon in Alaska."
That'll teach me...!
Read MoreEvery picture tells a story: Close-up of golden eagle head with catchlight
I’m a photographer (among other things), and this is the first of a series of posts about my favourite photographs. I’ll tell you how I took them and break down the shot into the idea, the location, the equipment, the settings, the technique and any post-processing.
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